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Research on the Developmental Venation of Calligraphy Seal Cutting Art Form from the Persp

2021-12-20 来源:好走旅游网
Conference Proceedings Citation Index

Research on the Developmental Venation of Calligraphy Seal Cutting Art Form from the Perspectives of Chinese

Traditional Culture and Art Form

Junhua Liu

( Hebei Academy Of Fine Arts,Shijiazhuang,Hebei,050700 China )

Abstract. In this paper, we conduct research on the developmental venation of the calligraphy seal cutting art form from the perspectives of Chinese traditional culture and art form. Seal cutting art of composition is a word or group of words arranged on the surface of the printing art, complex and changeable, is one of the most important part of the seal cutting art. Complete the creation of the group, must all have change, should show more creators on the composition of work force, therefore when designing should be repeated according to the text specifi c stroke, handwriting, the form and the relationship between word and word to design the structure of the right. Cultivating must practice the socialist core values and should be based on the basis of the Chinese excellent traditional culture, in carrying forward and greater China outstanding traditional culture in the process of makes it obtain nourishes the spirit and the value of the national identity. Our research provides the countermeasure for further modifi cation and optimization that is meaningful and necessary.

Keywords: Art Form, Traditional Culture, Developmental Venation, Calligraphy Seal Cutting Art.

1 Introduction

Calligraphy is the cultural essence of the Chinese nation, has a very high aesthetic value and practical value. Seal cutting art is the combination of calligraphy and engraved in the metal, horns, jade carvings, stone and other materials, mainly used to make the seal, and is also called the art of seal. Seal cutting art of the Chinese characters font, carving knife method, the natural beauty of the stone together, become a kind of independent expressive art [1-3].

A successful design work, from the design idea and aesthetic temperament and interest that has the cultural spirit of this nation and calligraphy seal cutting through the glyph, meaning, writing carving skills in visual communication design, visual design is easier to identify on the style, so as to establish a good image, and to design a joined the cultural characteristics, to promote the development of visual communication design, also led to the development of national culture.

Contact the calligraphy is show that the proposed basis. Seal cutting performance of the object is Chinese characters this is in line with the calligraphy. A miniature seal in the evolution of the words are words. However, the change of its development and the practical text is not consistent, has a long-term stability. Due to its own characteristics of the seals, the Chinese characters at the same time to adapt to the requirements of the space shape, so has room for large deformation of the seal character became the seal body text below.

Literati in marker is the said the root cause of the proposed performance. Ancient engraving and printing of engraving are all workers. Ruling class seriously manufacturing seal treasure, will look for the good books on general writing, let men inscribed.

Printing material change make he put forward the possible performance said. The officer handed down from ancient times most private seal is copper. But once printed material in every age

has clear regulations, not trespass [4].

Cultivating must practice the socialist core values and should be based on the basis of the Chinese excellent traditional culture, in carrying forward and greater China outstanding traditional culture in the process of makes it obtain nourishes the spirit and the value of the national identity. Traditional culture to enhance the national identity, cultural identity, emotion of the Chinese nation identity has important role. Socialist core value is to absorb the essence of the excellent traditional culture, and the traditional culture, formed the core values so the theory source of traditional culture is the core values.

Chinese excellent traditional culture is the socialist core values of the fertile soil, as the thought resources and the origin. Socialist core values of the contemporary development of Chinese excellent traditional culture, and a comprehensive revitalization of power has the leading direction, and support the function of the utility value. Two relations can be found in the longitudinal inheritance and that innovation and the sense of the inner spirit of cohesion, can also realize the great rejuvenation of the Chinese nation the Chinese dream of different value and future demands of the theory of system of the perfect construction. In the following fi gure one, we show the principles.

Figure 1. The Review of the Traditional Culture and Art Form

In this paper, we conduct research on the developmental venation of the calligraphy seal cutting art form from the

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perspectives of Chinese traditional culture and the art form. Culture modernization is whether a country really realizes modernization of the key factors, there is no culture modernization is impossible to have a real sense of the modernization, at least not a successful modernization. In this sense, the modernization of traditional culture is the point to China’s modernization process. In later sections, we will discuss the corresponding theories in detail.

2 Our Proposed Perspectives

2.1 The Art Forms

Art comes from life but also the life is also ideal in life, but no matter in the form of a comedy or a tragedy ending that can let our visual, reason and feelings and desires are satisfied and among them, with this is the highest state of the art. So analysis, understanding and using art form, research of the sense of order also became the theory basis of artistic creation [5-6].

Artist in mind image must fi nd the proper language form that can be perceived by people. Artistic language form is the only one image gets shown in his works that direct medium as the imagery is materialized into artistic image of the indispensable factors. Human beings in the artistic creation activities not only familiar with and master the characteristics of the various elements of the artistic language, and research on the connection between the various elements, and carried out in accordance with the laws of beauty combination and creation, formed various rules to express the beauty of the artistic language. For conscious people speaking, often for the overall experience of things, such as a tune, show the melody form rather than a series of notes; Such as design, not a series of the mutual separation but a unified pattern of point, line and plane as a whole. Overall is emergent new creature as a whole, and its features are not attached to a single part, but when the parts constitute the whole freshman or dash forward show come out, the whole is more than the sum of its parts.

A certain historical stage for people to make a living space, this space not only provides artists with the conditions of the refi ned form and materials, at the same time, also to develop and perfect, make the artist perception of form. So, in the different historical condition, because of these differences as well as advocating the difference time, form the connotation and the tendency of the feeling is also different. Form as well as biological cells, carrying all information in the form of society at that time, the society has changed, its nature of the information carried by the change, the change of the form itself is inevitable. So, in the form of some works of modern and traditional art form, there is a big difference. In artistic creation, the balanced use of abundant balanced painting composition is a basic rule. In the picture composition through the crisscross of light and shade as can obtain the change and balance of the picture. In order to make the composition is balanced the painter has its own means of balance,

in order to solve the contradiction of Chinese painting looks right light left heavy, painter signature, often in the left-hand margin which makes the whole picture into equilibrium. Music art also pay attention to balance as the music of the movement, passages between, on the component.

2.2 The Chinese Traditional Culture

Modernization is the important contemporary social historical category. As a social category of modernization, including economic, political, ideological, moral, the way words, person’s modernization, and many other aspects, certainly also includes modernization of traditional culture. The modern social life and people themselves, inevitably accompanied by modern culture. The modernization of the so-called culture mainly refers to the full absorption on the basis of excellent cultural achievements, establish suitable for modern society need new culture.

In this sense, this is the culture in the history of the wonders of the world. Look from the world historical development process, the more a nation’s history is long, formed by the traditional culture is profound. Chinese traditional culture as a regional culture contains the different characteristics with the rest of the world culture. Gazed at the Chinese traditional culture is the rest of the world, as the main culture of the people should follow the rule of the ethics and morality, the detached from the reality of the unreal previous existence of the afterlife and the nether world, much less attention, light spirits of traditional culture and the color of the personnel [7].

Throughout the world the process of general industrialization, marketization and modernization construction, is always accompanied by the discard of the national culture and a new Renaissance. Different countries around the world on the way and the way of the modernization, the formation of culture and each has its own characteristics, not a kind of culture can become the world’s culture. But already and are on a path to the developed countries, the practice of the market economy and cultural construction practice experience is worth reference and absorption. Building of the socialist market economy with Chinese characteristics itself is based on Chinese situation and facing the world’s long and hard practice, the people is the main body of the great practice, has made brilliant achievements have greatly inspired the people of national self-confidence and self-esteem, the Chinese people also have the ability to completely on rebuilding a new national culture.

2.3 The Calligraphy Seal Cutting

In Chinese traditional art, calligraphy is any kind of art form also can’t instead. The art form has experienced the Chinese art history of several thousand years, is the essence of Chinese culture. From the oracle bone inscriptions, inscriptions on drumshaped stone blocks, Jinwen until today, nationalities, of the true, the grass. To emerge countless calligraphers, and their works of art each has its own characteristics. Seal appeared in

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calligraphy, make this kind of line and color are synthetic art more perfect.

Calligraphy art of composition and seal cutting art of the composition has the same effect in the process of creation, are attaches great importance to the overall layout, coarse or fine, or strong or weak, or thin or dense, and so on. In composing the good calligraphy, seal cutting position is very important, also in seal cutting works by a party, the cure of law of the change of the layout and line is also very important. The success of a piece of calligraphy and seal cutting works not only look at the effect of a single word, more depends on the success of the core whole composition of the layout. Calligraphy of the seal character, offi cial script, regular script, the overall layout of neat, the layout of the running script and cursive script line coherence and intention of be particular about conception; The success of the seal cutting works emphasized the seal character lines, layout, coherent, and etc., looked from the overall effect and calligraphy works together, make the whole picture harmonious and unifi ed, coherent whole. Therefore, calligraphy and seal cutting is inseparable.

The application of calligraphy seal cutting flat design, involving the content of the font design, logo design, packaging design, posters, books and guide depending on the system design, etc. In the documentation and software word stock, there are a large number of calligraphy font can be used, when use, each kind of font rhythm, rhythm, form is different, need to make an adjustment, combined with the design works to show the form of design. In visual communication, also need to learn the beauty of the modelling of calligraphy seal cutting as the seal character gangling, helping to loose; Offi cial script fl at square, pencil like that; Smooth cursive hand, identifi cation is low.

Figure 2. The Demonstration of the Calligraphy Seal Cutting ArtSeal in the role of calligraphy is quite important, make the fi nishing point. On Chinese calligraphy seal can be divided into an unofficial personal seal, waist chapter, this happens. Chapter

— 42 —in which an unoffi cial personal seal is also known as conformal or lead in the first chapter, the top right of this kind of seal is often used in calligraphy, conveniently correctly as is along with the choice of the stone shape chapters first unfavorable use big square and an unofficial personal seal of idle and not idle, the small chapter should be with the contents of the calligraphy one integrated mass.

2.4 The Traditional Culture and the Further Developmental Trend

The transformation of the Chinese traditional culture lies in two aspects that one is to continue to carry forward the excellent cultural tradition culture, attaches great importance to the traditional culture of learning. The second is to transform traditional agricultural culture with industrial culture actively, to provide spiritual power for the development of modern society. To have family, nationalism and nationalism as the theme of the whole socialist spiritual into the subject of humanism spirit as a whole [8].

Globalization and insisted that the nationality of culture is associated while the excellent cultural tradition of the Chinese nation and the people since the movement form of the revolutionary culture. Create all advanced civilization achievements of human society, we should inherit and carry forward, we have several thousand years history left a rich cultural heritage, we should take the essence to the dregs, combined with the spirit of the age to inherit and develop, to combine the past and at the same time the new practice and the times in combination with the needs of the people’s spiritual and cultural life, cultural innovation actively, effort to prosperity of advanced culture, to attract millions of people in a culture under the great banner of socialism with Chinese characteristics.

China’s traditional culture is the inheritance of the openness of the stability and the development, produce the super era, the influence of traditional culture has many excellent cultural heritage, in the past, present, and future of will be for our nation’s national style, has a positive effect, mental and the moral need us scientifi c excavations, inheritance and carry forward. Under this basis, we should then follow the listed guidelines for the further enhancement.

·China is in social transition, the development of basic China’s cultural purpose should be the modern culture of socialism with Chinese characteristics, essence part of general traditional culture and modern western culture fuses in together as is the innovation of the Chinese people on Chinese and western cultures.

·Tends to state of China’s science and technology, with

the reform and that opening, although science and technology in popularity, but their own technology is few and far between, so focus on civilization of science and technology innovation, create new brilliance.

International Journal of Technology Management

·At present, the problems that exist in the core reality is that people how to carry forward the traditional culture inheritance, which parts of traditional culture are worth passing on, how to combine with the various domestic education and on the question of how to accept western culture is still not clear which needs to be optimized and casted the further development.

3 Summary

In this paper, we conduct research on the developmental venation of the calligraphy seal cutting art form from the perspectives of Chinese traditional culture and basic art form. As accelerating China’s modernization, the growing trend of basic economic and cultural integration, cultural and economic, political, the mutual fusion, symbiotic interaction, at the same time more closely with the combination of science and technology. It is a long history of Chinese culture. Chinese traditional culture has a strong stretching and bright diffusivity, and with its powerful vitality deeply penetrated into people’s way of thinking. This article from the perspective of art history to discuss the relationship between calligraphy and seal cutting and the traditional Chinese painting, that produced by line modelling, sculpture and stone flavor is the creation of the Chinese nation for thousands of years unchanged and appreciate the preferences, books, paintings, carved the perfect combination of the three that is the Chinese nation for thousands of years the state of pursuit. With the ancient is a guide to is now the gain and loss, nowadays painters of the calligraphy, seal cutting and the different

understanding of the relation of Chinese painting. In the later research, we will combine more research for optimization.

References

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[2]Yonghong, Zhang. “The Art Form Combining Seal and Painting before Qi Baishi Age and Its Effect on Freehand.” Value Engineering 6 (2012): 245.

[3]Guo, Shengjian. “National Acts for Transmission of Chinese Culture and Heritage in Arts Education.” Creative Arts in Education and Culture. Springer Netherlands, 2013. 15-26.

[4]Zhang, Xiafen, and George Nagy. “Computational method for calligraphic style representation and classification.” Journal of Electronic Imaging 24.5 (2015): 053003-053003.

[5]Ma, Leo FH. “Library Strategies for Meeting the Learning Needs of Fine Arts Students in the 21st Century: The Experience of New Asia College Ch’ien Mu Library of the Chinese University of Hong Kong.” (2012).

[6]Becker, Cynthia, and Alex Zito. “Yelimane Fall: Senegalese Calligraphy in Action.” african arts 47.2 (2014): 28-39.

[7]Barmé, Geremie R. “History writ large: Big-character posters, red logorrhoea and the art of words.” PORTAL Journal of Multidisciplinary International Studies 9.3 (2012).

[8]D’Ottone Rambach, Arianna. “Arabic Seals and Scripts Simone Assemani Through his Unpublished Correspondence.” (2016).

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