以书入画论文：传统书法与写意画的关系研究

以书入画论文：传统书法与写意画的关系研究

【中文摘要】传统书法与写意画均是以笔墨为核心的表现语言,离开了作为构成载体的笔墨,也就失去了其原发的魅力。本文意在探讨二者在艺术情趣、表现技法、欣赏要求等诸多因素方面的内在联系。同样,以表达作者的意图和情操为主的传统书法可以说是一种线条艺术,我们应领悟书法中的美学因素,逐渐吸收到绘画中来,丰富意笔画的表现力,同时也充实绘画中的美学因素。总而言之,艺术永远是当代情感与当代体验的产物,艺术永远是相承相续的发展与再造,现代写意画也只有在尊重中国画艺术本质的前提下,才可以谈到发展、继承与变革。需要我们对传统的中国画语言形态和结构进行重建和再造,把传统书法的笔墨语言投射到现代的局面,使之具有现代性,以中国写意语言形式充分地表现现代意识和精神内容,使形式和内容在更高的基础上达到统一。本文旨在抓住书画互融的根源,从书法审美的角度去理解写意画,同时从写意画的意境美中提升书法创作的高度。可预期的创造性成果为:把握书画合一的关系,来进一步认识写意画中的书法应用,以及书法中的写意画画审美构图。运用马克思主义哲学原理的系统论去研究书法和写意画创作。本论文的完成丰富了这一领域的理论及现实意义。

【英文摘要】Traditional Chinese calligraphy and freehand brushing are using pen and ink to express connotation and concept. Without pen and ink, the art works will lose their

original glamour. This article is intending to probe into inner links between pen and ink, on the aspects of sentiment interest, techniques, aesthetic appreciation requirement and etc. At the same time, traditional calligraphy is a method of line art to express author’s intent and sentiment. So we need to comprehend factors of aesthetics within calligraphy, gradually introduce it into painting. It will enrich freehand brushing in both expressive force and aesthetics factors.All in all, art will forever be a result of modern emotion and experience. So the process of art development and reconstruction will carry on the pace and never be interrupted. That is the reason for modern freehand brushing to developed, inherited and reformed based on respect of Chinese painting. In order to use traditional method of pen and ink in modern art, we also need to reconstruct language and restructure methods of traditional Chinese painting. So we can take advantage of modern thinking and spiritual concept to achieve utmost unification of form and content in Chinese freehand brushing.This article intends to grasp source of fusion between calligraphy and painting, comprehend freehand brushing through the aesthetics of calligraphy as well as enhancing calligraphy creation. Predicted creative result will be as following:Grasping

syncretic of painting and writing, looking forward to understand application of calligraphy methods within freehand brushing, at the same time introducing composition of aesthetic appreciation within freehand brushing into calligraphy; Utilizing systematology of Marxist philosophy principle to research creation of calligraphy and freehand brushing. Accomplishment of this article will definitely enrich this field both theoretically and practically.

【关键词】以书入画 审美 时代 互融

【英文关键词】introducing calligraphy to painting aesthetic appreciation era fusion

【目录】传统书法与写意画的关系研究7-811-18

Abstract8

绪论9-11

摘要

第一章 书画互融

一、书画同源11-12二、书画相通12-1415-17

注释

三、书画互补14-1517-1818-23

四、书画尚韵

第二章 传统书法与写意画中共存的文化因素一、对阴阳五行思想的体现18-19

二、对中和中

注释

庸思想的体现19-2022-2323-25

三、与自然生命的和谐20-22

第三章 笔痕的魅力23-35一、直从书法演画法

三、笔力、注释

二、书中“意”与画中“意”25-27

四、墨法与笔法

30-34

笔气与笔韵27-3034-35

第四章 传统书法与写意画在生命精神中的统一

35-4637-3941-4446-47

一、书画取象35-37三、以形写神39-41五、人格之美44-45参考文献47-49

致谢50

二、经营位置与取势四、情感的表达注释45-46

结语

攻读硕士学位期间所发表的学

术论文49-50